The great disconnect
TNN | Updated: Nov 18, 2017, 23:45 IST
Chennai: Picture yourself and your family sitting on the living room
sofa, each of you with a smart device — phone in your hand, another in
your spouse's, your child playing with a tablet. Everyone's so
connected. Now, remove the phones and tablet from the scene, but stay
frozen in your poses. Do you feel the
disconnect?
That's what got Eric Pickersgill started on his series 'Removed' in
2015. The US-based photographer — who is now in India working on part
two of this photo-documentary — says the idea came to him one night when
he was lying on his bed, phone in hand. "My wife and I were lying back
to back, she had her phone, I had mine. My phone fell out of my hand,
and as I leaned over to pick it up I noticed that my hand was still
cupped like it was holding a phantom phone. I looked over at my wife,
and wondered what it would be like if I shot everyday scenes of people
with their mobile phones and iPads, but with the devices removed from
their hands," says Pickersgill. "Removing the phone seemed to disrupt
the scene, and make the real surreal," adds the 31-year-old, whose photo
series went viral. "The idea was to show that our smartphones allow us
to connect to people anywhere. But what kind of connection do they
afford us? Some people who viewed the photographs didn't even notice the
phones were removed. That's how much a part of us our mobile phones
are," he adds.
A holiday in China placed Pickersgill in a rice field, and as he
watched a farmer in a straw hat, against the backdrop of green fields,
stop his work to answer his phone, the universality of his series struck
him. "But China had restrictions in terms of doing a series there, so
India became my first lap," says Pickersgill, who photo-stopped at
Delhi, Rishikesh, Shillong and Mumbai.
One of the main differences between his original series and the one in
India is the infusion of colour. Though his first series was black and
white, Pickersgill realised India's vibrancy could not be contained in
monochrome. "India has a lot of colour, it's overpowering," says
Pickersgill, who works with film. "India was showing me how mobile
phones could bring people together as well. So this series, which is
also being made as a feature documentary, has a more rounded approach,
showing how devices connect as well as disconnect, how new technologies
create new behaviours."
In Kolkata, Pickersgill came across a group of girls in a cafe,
standing on chairs and taking selfies. A few minutes later, they were
seated side by side, sharing the photos. "We captured those very real
moments, but with their permission removed the phones from their hands,"
says Pickersgill, who is creating the series in collaboration with
calling app Tlkn. "The people, the poses, the scenarios we shoot are
real, only the phones are missing," he adds.
In Shillong, Pickersgill captured a family at the dinner table, mum
staring straight into the camera, the rest of her family staring deeply
at their invisible mobiles. On a hillside, Pickersgill chanced upon a
busload of tourists on a photo break, asked them to remain in pose, and
then removed
their cellphones.
In Rishikesh, Pickersgill and crew interviewed a yogi, who spoke at
length about how gestures were a way of displaying emotion and
connection with the body, but the overuse of mobiles was changing body
language from an instinctive action to a mere reaction. As the yogi
paused in the middle of his discourse to answer his phone, Pickersgill
asked him to freeze, then removed the phone from his hand, and took the
shot. "The documentary is meant to open up conversation," says
Pickersgill.